David Livingstone show looms!

‘I Knew A Man Called Livingstone’ -

The story of Scotland’s great explorer from the perspective of his African friends!

It’s been  long time coming but this Saturday 16th March, we are performing our first show of David Livingstone! It’s on at the Scottish Storytelling Centre at 2pm and we’d love to see you there!

What’s it about? Well, I must confess I didn’t know much about Livingstone at the beginning of last year but his story is such a fascinating one that spans so many areas of interest – medicine, religion, geography, culture, etc that it is difficult to know where to even begin his story! Born into a working class family who worked in the Blantyre cloth mills, between work, he’d find time to read and was inspired by previous Scottish explorers. He went to study after work (and he was just a young boy) then ended up convincing his father that actually medicine wasn’t such a terrible thing and it wouldn’t interfere in his faith. He ended up as a missionary in Southern Africa and that’s when he found his hearts true desire….to travel and explore.

 


We’ve got the FANTASTIC Isla Menzies and Ncuti Gatwa starring and it’s been directed by Annie George.

Playing different characters, the 2 performers unfold what made Livingstone so different to the other explorers/missionaries of his time. We meet people such as the wonderful princess Manenko who stood up to Livingstone. We also meet Chief Sechele, his only convert, the Arab traders to whom Livingstone was often indebted, Susi and Chuma his loyal converts who carried his body from the village of Ilala to the coast where it as sent to England!

This journey was extraordinary! 1500 miles, 8 months, 80 people, 12 of whom died en route in order for the doctors body to follow tradition and be returned to the land of his ancestors.

Truly remarkable! Gets you thinking about what people may possibly do for you when your time is up! Livingstone was not an easy man but he treated people with kindness and respect most of the time, but could often lose his temper. He was not a leader of men and was often criticised for his dangerous attitude to the expedition! But there was something special about him. If you think you know what drove Livingstone, then get in touch and let us know!

Toto x

 

We off on Tour!!!!

We are excited to be off on tour with the wonderful Mull Theatre. Woohoo!!!!! Come March and April, we shall be regaling audiences with our brand new Starbird production. We are collaborating with Mull and Alasdair McCrone will be directing it. Very, very exciting!!! Have a look at the new eblink for a wee preview as it will be on at the Fringe too. Enjoy!!! x

http://www.tototales.co.uk/performances/starbird/

Where do we find stories?

So, where are the hunting grounds for some ripe, juicy stories huh! Well, over the years I’ve been inspired by a mountain of different things. Sometimes, a wee storytelling session develops into an idea that will not go away!

This Saturday 15th December, The Igbo Society of Glasgow is meeting, and I will be telling stories. I LOVE this, because it is so important for people living away from the countries of origin to still maintain links with that cultural heritage. For their children to be exposed to the language, other children who share their heritage, see their parents communicating and sharing memories, even if it’s a collective one, passed down from grandparents.

Now because the audience will be mainly of Igbo descent, I feel it’s important that I make a genuine effort to embrace that culture, despite it being very different from my own. That means asking Igbo friends  if they know anyone with stories or folktales or even just name of people and the significance so you can develop a story that will appeal to the Igbo culture and create that familiarity that can make a story from ‘home’ unite people who live so far away. The language, the dress, the expressions that take place all lend to escaping this life and returning to somewhere beautiful where memories of family and friends come flooding back. Also for me, it means that for a while you delve into another world. Just see some of the incredible hairstyles featured in these pics. Just beautiful! Also puts certain things into context when you go beyond the story and find an opportunity to really get into another persons shoes.

I found this lovely website http://www.oraifite.com with a host of lovely stories from the Igbo tradition. So, I can use this fountain of knowledge to build up the stories and transform them in a live storytelling session. Getting stories first hand from a person enables you to get a feel for the language. How to round your lips and properly pronounce the names, to really get your head around the rhythm of a phrase. How to put in an ‘ah ah’ at the right place, mimicking their cultural norms. If it works brilliant, if not then at least some hilarity will be provided by someone trying out a new culture.

Hey, we live and learn. Who knows? Sometimes, that random story you heard a few years ago could one day turn into a beautiful production, lovingly retold for generations to come. Have a look at that site and let me know which story was your favourite.

Toto love

x

The mad month of stories!

October……always mad for the Storyteller!

Just a quick one here to let you know what’s been happening! It started off all nice and innocent in September with the post Summer craziness and normally there’s a lull where things wind down before revving up again to hit the high notes in October but for some reason this year has been busier than normal!

Some of the other storytellers out there may agree that this is a famine and feast type of work where some months will pay for others.

Well this has been already and still is packed with stuff! First up is the brilliant Glasgow Inspiration Festival who are just brilliant at getting us into schools and communities that wouldn’t otherwise get to see what we do so it’s always lovely to do things with them. We showed Starbird in 3 venues where about 500 tinies came to meet Starbird and tried desperately to show the little chick puppets where their mother lay trapped in the nest! Their enthusiasm showed no bounds that they were often guided up onto the stage to take part. Strategic ploy to avoid stage invasion!!!

  Here is a picture taken by stv local of us with 2 of the audience. They were just delightful! Those wings get me every time.

I am so excited by this story and know that it will grow and grow and becoem better and stronger.

Well, we are also showing The Baobab Tree at Glasgow City Halls on the 20th October at 10.30am and 3pm as part of the Commonwealth Family Day! We will be working with Yamil, an amazing dancer from Cuba who will be joing me and Stu, Andy, Pete and Marion. very exciting!

 

Something I am very happy about is the Settle Storytelling Festival which I have just taken part in, and is the first South of the Border festival I’ve been invited to so am delighted I must say! Sita Brand who runs it is so passionate about it and I guesss that’s where the best things happen. Settle itself is such a lovely little village surrounded by other lovely places. I did some workshops with 2 schools there (see the link here for the photo and article in local paper)

http://www.cravenherald.co.uk/news/9967087.Settle_Storytelling_Festival_returns/

Then Bedtime Tales was just wonderful with all the little tinies. The photographer Tony Crossland took some pics of the session and I love these… The faces on those kids is what makes itso special. They are absolutely lost in a world far away from the Settle Playbarn!

Here’s a challenge for you? Can you guess which story these kids are listening to? Comment to this post and let us know your thoughts.

Toto love

x

 

  

A hectic, wonderful summer of festivals and no rain!

It’s been ages since I wrote a piece but it’s been so ridiculously, wonderfully busy that I have literally not had a chance. Those few magical moments of quiet were spent being…well…quiet! The rest of the time was pure energy and utter exhaustion and walking and sunshine and no wellies all August! Truly blessed! Had an amazing time in July travelling round Sri Lanka, visiting the stunning dancer Venuri Perera and her family. Incredible hosts and her father makes the most delicious mango chutney on earth. delicious truly!!!

Then back to Edinburgh, where sadly no performance this year but an amazing job working with Edinburgh Festivals taking delegates from 40 different countries round the city and showing off how lucky we are to live here and have these amazing events happening all year round. Edinburgh is a fantastic place!!!

Saw a ton of shows which was great. These ranged from the Made in Scotland series including the very clever and very sweet Paperbelle and The Curious Scrapbook of Josephine Bean. I did really enjoy it but I think it could have got going slightly quicker. I also loved Angus, Weaver of Grass by Horse and Bamboo theatre company. Brillaint use of puppetry, film and just very well put together, espeically the Gaelic element and singing of Mairi. What else? The Zimbabwe Express was good fun and hugely energetic! I also saw The Girl with no Heart and The Night of the Bog Wind. Again very interesting use of puppetry and thought provoking, enjoyable pieces. Managed to catch some of the South African season with Mama Africa and The Millers Tale, Wahala Dey Oh which Isla was performing in. Chaucer’s tale in a Nigerian setting. Very interesting and Ufuoma was a lovely woman whose determination to bring the show here was incredible. Despite all the odds….she made it! Saw The Stranger from Brazil, A Comic Destiny and I’m sure there were more but it was quite exhausting!!!!

What did you see? Anything that you would recommend for next year or to catch touring? Let me know. Open to odd suggestions too.

Back to Singapore… Managed to get a storytelling slot at Barefoot, the reknowned cafe for performing arts and a hub of activity with a lovely cafe, shop, etc. There was a night celebrating womanhood and raising awareness of domestic violence and other issues affecting women. I was able to tell the story of the kings mirror, a beautiful story that celebrates the most beautiful thing about women and why we should be proud of it. I will have to record that and put it on facebook, or here!

 

Am also very excited about the up and coming Edinburgh Mela festival where Toto Tales will be performing a shortened version of our show Tyi Wara. It’s on at 13:30 on Saturday and 14:45 on Sunday for those who can make it or who missed it at the Storytelling Centre. Check out the brilliant Leither where we are on the cover:)

http://issuu.com/theleither/docs/web-88?mode=window&pageNumber=1

What else is happening. We are getting ready with Starbird. the wonderful Fadzai Mwakutuya and Florence Menzies busy squirreling away behind the scenes. This is for the Inspiration festival in Glasgow in October.

Isla is also working more with Chris Dolan, playwright, screenwriter and talented man all round which is very exciting!

We also going down South to the Settle festival in October, the first one we’ve done, so that’s very exciting! See a photo of the festival founder Sita Brand below!

Anyway, that’s just a tiny bit of what’s been happening but hope to be updating more regularly.  It’s late so the brain is struggling now. Goodnight and remember to let me know your best bits of the festival xxx

TYI WARA TRAILER

CLICK HERE TO SEE TYI WARA – EARTH HERO TRAILER

So it’s taken a little while to get here, but here is a tiny trailer from our Tyi Wara show. Of course, there is plenty more but just to give you a little flavour. Hope you enjoy it! Click link above to view.

Please leave a comment below to let us know what you think. That would be much appreciated!

Toto love

x

 

 

 

Can Kids get Serious?

IT’S THE END OF THE HOLIDAYS!!! so for the last few days, I have told at a number of storytelling sessions/activities and taken my 4 year old daughter to a few too. After a few too many row your boats, I began to wonder why whenever young children are around (3-4 year olds), so many of us resort to the ‘twinkle, twinkle little star’ and ‘baa baa black sheep’ favourites? Is it because we are comfortable that they [the little ones] will be comfortable? The familiar is safe and so we don’t need to challenge ourselves too much?

Now, it’s not that I don’t like these rhymes or feel that we should never use them, I do myself on occasion… but my worry is that many people believe that young children are simply incapable of handling ‘bigger’ stories. If you have ever had the pleasure of seeing the incredible piece of theatre ‘WHITE’ by Catherine Wheels, then you will know that stories seep into the soul regardless of age. Any two year old will have recognised the extreme injustice so perfectly demonstrated.

I believe choosing the stories we expose our children to is immensely important. Long before school as we now know it existed, our education everything we thought, believed, aspired to, etc was brought about through stories. our focus on stories from across Africa, I wish that children will be as familiar with Anansi the spider as they are with the Gruffalo. I wish that their dreams would involve outwitting cunning Sungura (Hare) and celebrating the wisdom of tortoise. I wish they would grow knowing why Dedan Kimathi fought as he did, who was Queen Nzinga of Angola and that they wonder where the Golden Stool of the Ashanti really came from. The incredible stories of the orishas from the Yoruba. The dense layers of these stories are rich in content, so full of wonder and quite simply beautiful to listen to.

 

 

 

 

 

 

 

 

 

A storytelling friend of mine of Indian origin, Malaysian upbringing and currently resident in Singapore told me how her father introduced the great epic Mahabharat to her from a very young age.

An immense story, a epic saga that scholars have difficulty interpreting. She remembers at the age of 3 or 4, her father sitting down at breakfast and feeding her the tiniest little tidbits from the story, that when pieced together many years later, revealed the full story. Sitting down with a three year old and recounting hours of story will not work but  by letting little seeds settle deep inside, he ensured that those seeds were nurtured and did grow. These BIG stories are necessary to give our children a greater sense of the world around us. Do they get it? Probably better than many grown ups!

I was horrified to hear a squeaky clean adaptation of The Little Red Hen story a few evenings ago. In the new version, the hardworking character feels sorry for those other poor lazy souls and decides to share her cake, or whatever it was with them. EXCUSE ME!!!!!!! What is going on? Yes, charity is a great thing but we are sending mixed signals, allowing them to think that certain behaviours are acceptable, when they most certainly are not.

Let us not be afraid to share bigger stories with tiny people. The way we tell it may be different but the essence will get through and difficult though it may be, we need to acknowledge that sometimes it’s a good thing for our children to experience stories that are not the Disneyfied, singing, clapping happy type.

Do you think they CAN deal with more? Let me know what you think.

Toto x

 

‘Tyi Wara – The Earth Hero’

Success at Storytelling Centre!!!!!


Well, it’s not quite over yet!!! Putting on any show is stressful. I don’t know anyone who hasn’t gone through the ups and downs while creating a production/performance art for ‘public consumption who hasn’t broken down whether 3 weeks or 3 minutes before the curtain lifts.

Ours was certainly an adventure. January was the first major panic when we didn’t have a musician for a piece and it opened in 7 weeks. Then the wonderful Gameli stepped in 4 weeks before the show.  4 rehearsals later and desperately in need of our 5th and final one, both Gameli and Gaoussou (producer) fell ill and were on deaths door. Anyone else experience this? The tears came 3 days before the show. Luckily, I am of a fairly optimistic and cheery disposition so half an hour later, it was fine and it became less ‘aaargh! we only have 3 days’ to a more ‘cool! we still have 3 days’ attitude. 3 hours before show and the panic returned with things not quite working in dress rehearsal.

Still photos taken (thank you Claire), techy sorted, props in place, exhibition up outside and people arriving and it was all go.

Marvellous!!! 90+ folk in a 100 capacity theatre. Woohoo!!! Really gives energy to the space. It was great to see so many familiar faces, willing us on in the audience and new ones too, not sure what they would get from a Toto Tales production.

It went swimmingly! Erick’s entry as Mousso Koroni / Nyeleni was nothing short of spectacular. Even  my old dad gushed ‘such a graceful dancer!’, praise indeed!

Gameli showed no sign of his illness and wowed the crowds, his white locks glistening in the light. The audience were into the story from the word go. Such a pleasure to have them! They responded as if they had rehearsed with us. They danced round the room celebrating the happy return to the healer, Donald ignoring me and heading onto the stage jiggling away! Perfect!

Fin Wycherley of Supersize Blogging had proof of the power of social media in the form of 2 representatives of @Afriversal who we met on twitter had come down from Aberdeen to see the show. Such a pleasure to see it in action and they loved the show too. Wahey!

What now???? Well, plans are underway to take it round Scotland to a few high schools and some community centres. We are definitely visiting Lockerbie and Northfield (Aberdeen) schools who are unbelievably forward thinking and proactive and it will be an enormous pleasure taking the show to them and working with their teachers and students.

We have had great feedback from Donald at the Storytelling Centre so long live Tyi Wara and here’s to many more performances. We will be posting up a video soon, so keep an eye out.

Toto x

Favour please: Check out the new website www.tototales.co.uk and tell us what you think.

World Premiere of Tyi Wara, Storytelling Centre, Edinburgh, 29th Feb 2012

african theatreCome and enjoy the World Premiere of Tyi Wara – a theatrical story-telling production for ages 8+ from 7-8pm.

Discover how the Bambara people of Mali learned about environmentalism and the secrets of the land; how Tyi Wara persuaded everyone to get involved in nurturing the earth and some of the funny and sad trials and tribulations along the way.

In a unique fusion of physical storytelling, contemporary dance and live music, Tyi Wara (pronounced Tee Wara) is the latest production in a long line of award-winning shows by Edinburgh’s premier theatre company of African origin, Toto Tales.

Tyi Wara is a mythical hero of the West African country Mali, who descends to the earth to reveal the secrets of sustaining the land.

After watching the people struggle with droughts, famines and floods, Tyi Wara teaches the importance of sustainable agriculture: how to prepare the land, how to ensure everybody works together and how to make sure the secrets of agriculture are passed on through the generations.

Through the compelling use of live traditional African instruments like the kora, drum and balafon, Toto Tales weaves traditional storytelling with African contemporary styles to create an energetic and vibrant theatrical experience that explores the issues of social collaboration, the importance of work and respect for the earth.

Mara Menzies, founder and performer in ‘Tyi Wara’ says:

african theatre

Balafon

“When I formed the company in 2008, it was important to have a theatre company that would bring positive black role models, as well as stories and culture out of Africa to inspire the imagination of our children in Scotland.”

Mara Menzies continues

“We put on lots of shows for children that teased, frightened, involved and laughed with them. But when we saw the delight in the eyes of the grown ups who had brought the children we decided to cater for their appetite and imagination too.”

Mara Menzies laughs:

“The Tyi Wara philosophy is akin to the philosophies of so many communities around the world and the quote which sums it up best is Rudyard Kipling‘s famous quote:

“Now this is the Law of the Jungle—as old and as true as the sky; and the wolf that shall keep it must prosper, but the wolf that shall break it must die. As the creeper that girdles the tree-trunk, the Law runneth forward and back; For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack.”

In modern times, Tyi Wara is celebrated every year at harvest time in Mali, where the men compete against each other to determine which one is the ‘hero of work.’ If they are the fastest, strongest, best worker, then they achieve glory until the next harvest when they must compete again.

Mara says:

“This is an important piece because the legend of Tyi Wara inspired sustainable agricultural practices in Africa for 1000s of years. Storytelling in Africa was, and still is, one of the most profound ways to communicate technical knowledge and information in a way that is memorable and informative.”

Press Contact: Mara Menzies on 07828 900 502 or TotoTales@gmail.com or Facebook: or Twitter

african theatre

Erick Mauricia

Notes to editors

1. Launched in 2008, Toto Tales was nominated as one of The List’s Top 20 ‘Not to be missed Shows’ in and won the first prize Dupliquick Zebra Prize for Best Poster of the Fringe.

2. Toto Tales is Scotland’s premiere professional theatrical storytelling company that specializes in stories from across Africa. We produce engaging, interactive performances that celebrate the rich cultures of Africa and make them accessible, challenging, thought provoking and fun to a variety of audiences across Scotland.

3. Previous shows: Koko The Crocodile, 2008 (4* reviews from The Scotsman, Three Weeks & Broadway Baby), The Legend of Magnificent Moon, 2009 (4* reviews from The List, Broadway Baby and a sell out in Singapore’s ACE Festival), A Most Curious Quest (2009) The Legend of the Bone, 2010, and more 4* reviews for the African/Asian collaboration ‘Under the Baobab Tree’ 2011

4. Mara Menzies is a Kenyan/Scottish storyteller based in Edinburgh. She is Creative Director of Toto Tales and author of ‘Koko the Crocodile’ a unique picture book based on a Kenyan folktale. She has lived and collected stories in France, Kenya, Sudan and Madagascar and has travelled extensively. In 2011, she was nominated for the UK Kenyan Achievers Award. She visits schools in Kenya every year and works particularly with those who rarely get the chance to access the arts.

5. Erick Mauricia taught Modern and Afro Jazz to dancers from The Bolshoi & Moisseiev Traditional Moscow Ballet in Russia.  With a Diploma in African Dance from The African Centre of Dance & Music in Paris, Erick has choreographed, produced and performed for many productions and festivals involving modern and traditional dance, drumming, singing and stage plays. Erick has also trained for 20 years in Yoga, Martial Arts and Tai Chi techniques and has practiced Meditation for some years. He is currently a member of the Glasgow Gospel Choir.

african theatre

Gameli Tordzro

6. Gameli Tordzro is one of Ghana’s leading creative arts exponents in Scotland, working as the Artistic Director of Pan African Arts Scotland, Scotland’s leading voluntary sector African Arts Company, which has groomed the likes of Emeli Sande. He has worked in KNUST Centre for Cultural Studies, The University of Ghana School of Performing Arts, and TV3 Network as a producer. Gameli is currently directing a series of life stories documentaries highlighting the work of Africans and people of African origins in Scotland with a focus on their contributions to the Scottish Society. His work is across a range of art forms including Theatre, Music, Storytelling, Filmmaking and Fashion. Gameli plays the traditional Ghanaian Gyle xylophone, the Attenteben flute, the Kora and various drums.

7. Supported by the kind generosity of Edinburgh International Festival of Middle Eastern Spirituality and Peace, a festival that seeks to provide educational opportunities and an international forum for understanding, experiencing, and participating in the rich diversity of the world’s spiritual traditions.

8. Also supported by The Scottish StoryTelling Centre that hosts regular storytelling events, seasonally-themed activities and inspiring one-off performances. The 2012 programme aims to promote storytelling as a vibrant contemporary artform and to provide opportunities for everyone to celebrate Scotland’s rich storytelling heritage.

9. Photos available.

Are you coming?

Event Details

Event: Tyi Wara

Venue: Scottish Storytelling Centre, 43-45 High Street, Edinburgh, EH1 1SR

Tel:  0131 556 9579

Time: 7pm-8pm

Black people don’t DO theatre!

When I first started Toto Tales I shouldn’t have been surprised to find out that I was in fact a genuine bona fide ‘ethnic’. But yup! That is just what I am and will be positioned for quite some time too I imagine. There are not many ‘ethnics’ working in the arts in Scotland for a number of reasons but those that do, are utterly passionate about it and sacrifice earning a reasonable wage, potential peace of mind and a real job in the pursuit of creating something incredible.

This afternoon, there was a meeting at Creative Scotland with some of the companies in Scotland that work with minority groups. Some of us were ‘ethnic companies’ and others worked with disabled people. Nevertheless we were all there to share our experiences.

Christine Hamilton (no…another one) was leading the discussion and was genuinely charming and interested. There was plenty of discussion around the issues faced by us companies in our endeavours – funding, touring, audiences, expectations, etc – and hope that in future, Creative Scotland will further support a hugely valuable part of Scottish culture.

Those represented were Wave Theatre, Solar BearAnkur ProductionsLung HaBirds of Paradise and of course us Toto Tales.

Plenty of questions raised – One of these was audiences and actually our audience is mainstream. Infact, it’s great when there is someone of African descent in the audience. Something we discussed that I felt was important is the issue of Role Models: There are too few positive role models of African heritage working in the Scottish art scene today. So what do we do? Bring them up from down South? Develop them up here? If we do train then what jobs are available? Hmmmm! None! So actually, it is difficult to see how this can be resolved before we’re all deid and it’s our children’s turn.

Still on role models…while I acknowledge the wonderful work that Ankur do, it is a shame that the first leading role for an African woman, created in Scotland in absolutely ages, is one where she is brutalised both physically and sexually. I honestly feel we need to provide better, stronger role models for our young people. Not just people of African heritage but for everyone else too. I want my daughter to know her worth, to know there are things worth fighting for. I want her to hear stories of Tyi Wara, Queen Nzinga, Julius Nyerere, Prof Wangari Maathai and she will, whether she wants to or not.

Storytelling and theatre are such powerful ways of absorbing information, challenging your own perception, generating discussion, meeting ridiculously interesting people, etc, that for me, it is a real shame that there are so few black faces both in the audience and on the stage. Of course its not just black people who don’t do theatre and of course there are many reasons why people don’t/can’t go but it would be great for us to begin to ask those questions and then DO something to change this, because there are lots of amazing things happening and there are lots of people who are missing out.

In the meantime Toto Tales will continue to do what we do, which  is to find and create these wonderful stories then explore ways of sharing them. My hope is that people from every sphere will see them, take something from them, enjoy them, start talking about them and be inspired by them.

I have been to schools around Scotland where not one kid can tell me the name of a great, inspiring, powerful individual from Africa. Not 1!!! That’s a real tragedy.

That’s your challenge too. How many names can we come up with right here and now?

Toto love x